On the
Friday, 15th September 2017, Department of English MK Bhavnagar
University has arranged a session with Gujrati short story writer and
acclaimed essayist Prof. Mehendrasinh Parmar on his Gujarati short stories like Polytechnic, Now Which Polytecnic and Udana Charakaladi.
Last Year, we have talk on
Intellectual Indubhai, short story
written by him where he read his story in front of us , it’s golden opportunity
to hear the story from the Author himself because in literature, it can be said
that it’s not easy to understand the point of view of an author or poet behind
his/her particular work and we can’t know that which meaning is given by them
like in Samuel Beckett and Harold
Pinter’s , case when people asked them about the meaning of their plays,
they said that they are not sure for the particular meaning it’s up to the
audience that how the meaning can be taken by viewers.
In the beginning, he talked
about his troubles to published his
stories because the subject of that, it’s not normal but serious one that is of
the problem of sanitation ‘Suachalay’(Toilet)
with connection of the Hindi movie Toilet- Ek Prem Katha (2017). He has
written his stories in 2002 about the problems of women collectively in first
two stories while in third one it presented individually in his surrounding
areas of Bhavnagar like ground of A.V school, Navapara. When we see this movie,
we find many similarities with these stories but it’s not clear that it based
on it. It’s like George Orwell’s
work ‘Nineteen Eighty four’ which is
published in 1949 but it talks about the future situation of 1984,same thing we
find here that story written earlier (2002) about the recent problems but it connects future situation of 2017 also
. At some level of art of film making, movie Toilet fails in connecting the
idea as love theme or problem of sanitation highlights in that. In all these
three stories, I liked the most is third
one because of it’s tone of dialogues in comic relief otherwise all three
stories are best in it’s dialect ,stress at important place, tone of
Gujrati language which is effectively
spoken by writer himself.
Thank You,
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